Ken Ludwig’s Dear Jack, Dear Louise

Pronouns she / her

S&Co: King Lear, The Chairs, Time Stands Still, Merry Wives of Windsor, The Children, HIR, Creditors, Heisenberg, 4000 Miles, The Wharton Comedies, God of Carnage, Or, Ugly Lies the Bone, The Taming, The Unexpected Man, Red Velvet. NYC: Eureka Day, Joan, Cal in Camo, Dry Land, Seven Minutes in Heaven, (Colt Coeur), Unraveled, Pressing Matters (MBL Productions), American Daughter, Glengarry Glen Ross (NYU Tisch). Regional: All’s Well That Ends Well (OSF), Dear Elizabeth (Dorset Theatre Festival), Julius Caesar (Actors Shakespeare Project), How I Learned to Drive (Round House, MD), Our Town (Alabama Shakespeare Festival), Death of a Salesman, Fences, The Hampton Years (Virginia Stage Company), Peter and the Starcatcher, Skin of Our Teeth, (Perseverance Theater). She is Undergraduate Program Director at the University of Massachusetts. amyaltadonnasounddesign.com Thank you to my incredible daughter...life is most joyous with you.

S&Co: Acting: Duke (Measure for Measure), Rose (The Children), Mom (Ugly Lies the Bone); Mistress Quickly (Henry IV Pts. 1 & 2); Goneril (King Lear); Beatrice (Much Ado About Nothing); Elizabeth (Richard III); Audrey (As You Like It); Hippolyta (Midsummer Night’s Dream); The Nurse (Romeo and Juliet); Mistress Quickly (Merry Wives of Windsor); Paulina (The Winter’s Tale), Ruth (Private Eyes), The Woman (Laughing Wild); Arlene (Off the Map) Directing: Miss Bennet, Christmas at Pemberley; The Wickhams, Christmas at Pemberley; Emma, Pride and Prejudice, Sense and Sensibility. At Mixed Company: Ramona (Zara Spook and Other Lures) and Eileen (The Cripple of Inishmaan). With the Ensemble for the Romantic Century in NYC: Nadezhda VonMeck (None But the Lonely Heart), as well as Fanny Mendelsohn, Emily Dickinson, Sonia Tolstoy, and Anna Akhmatova (in multiple shows). Ariel is a Designated Linklater Teacher.

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S&Co Set Design: Much Ado About Nothing, Morning After Grace, Mothers and Sons, Miss Bennet: Christmas at Pemberley, Roman Fever / Fullness of Life, It’s A Wonderful Life: A Live Radio Play, The How and the Why, Henry V, Mother of the Maid, Shakespeare’s Will, Vanya and Sonia and Masha and Spike, Private Eyes, Master Class, Heroes, Beauty Queen of Leenane, Accomplice, Cassandra Speaks, The Tale of the Allergist’s Wife, Parasite Drag, 39 Steps, Santaland Diaries, Private Lives, The Learned Ladies, Women of Will, The Memory of Water, The Hollow Crown, Red Hot Patriot: The Kick–Ass Wit of Molly Ivins, War of the Worlds (Bernstein Theatre); Mother Courage, Richard III, The Winter’s Tale, The Liar (Tina Packer Playhouse). Designer & Performer: Dibble Dance (Tina Packer Playhouse & Colonial Theatre). Patrick holds a Bachelor of Arts in Interior Design from Academy of Art College, San Francisco. Other work includes Laura Ashley, Pierre-Deux, Anthropologie.

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FILM: The Intruder, Chrissy Judy (Apple TV) TV: The Girls on the Bus (HBO), The Good Fight, Madam Secretary (CBS), Jon Glaser Loves Gear (truTV). NY Theater: Burning Leaves (Duke Theater), Chokehold (14th St. Y), What I First Desired (Soho Playhouse), Where Has Tommy Flowers Gone (Workshop Theater), Bleach (Wilson’s Lounge); Decky Does a Bronco (Royal Family Productions), REGIONAL: Measure for Measure, Mothers and Sons, Waverly Gallery (Shakespeare & Company), Up The Hill (Eugene O’Neill Center), Peter and the Starcatcher (SPAC), Pirira, Giant Void in my Soul, The Ground on Which We Stand (Luna Stages), The Group (Great Barrington Public), Why Do You Stand There In The Rain (Edinburgh Fringe), Scooter Thomas Makes It To The Top of the World (Hollywood Fringe); David holds a BFA from the University of North Carolina School of the Arts. Love to OTC.

Amelia Heastings is excited to be joining the Shakespeare & Company team for her first time this Summer season! Favorite past credits include Murder on the Orient Express (Assistant Stage Manager) and The Tempest (Production Assistant) both with Pittsburgh Public Theater, Mountain Home Christmas (Assistant Stage Manager) with Greenbrier Valley Theatre, Much Ado About Nothing (Assistant Stage Manager) with Pennsylvania Shakespeare Festival, After Independence (Stage Manager) and As You Like It (Assistant Stage Manager) with Pittsburgh’s PICT Classic Theatre, and worked as Young Artist Supervisor with Pittsburgh Civic Light Opera for Peter Pan, Once, and the 2019 and 2021 productions of A Musical Christmas Carol.

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Selected credits at S&Co: The Approach, An Iliad, Measure for Measure, King Lear, Martha Mitchell Calling play and film, Twelfth Night, As You Like It; The Tempest, Ugly Lies the Bone, Or..., It’s a Wonderful Life, Henry V, Mother of the Maid, Shakespeare’s Will, The Complete Works of William Shakespeare (Abridged), Private Lives, Loves Labor’s Lost, Kaufman’s Barbershop, The Learned Ladies, Women of Will, The Hound of the Baskervilles, The Taster, Mengelberg and Mahler, Les Liaisons Dangereuses, Shirley Valentine, Golda’s Balcony, The Ladies Man, Rough Crossing, Enchanted April, Ice Glen, Lettice and Lovage, House of Mirth, Glimpses of the Moon and many years of the Education Department’s Fall Festival and Tour productions including Shakespeare & the Language That Shaped a World film for Shakespeare’s 2021 Birthday. Selected Regional: Grant & Twain, Emilie..., The Long Run, In Darfur, Arabian Nights, Red Noses, Picasso at the Lapin Agile, Metamorphosis, The Marriage of Bette and Boo, Alice in Wonderland, Our Country’s Good.

Ken Ludwig has had six shows on Broadway, seven in London’s West End, and many of his works have become a standard part of the American repertoire. His 32 plays and musicals have been performed in more than 30 countries in more than 20 languages and are produced throughout the U.S. every night of the year.

Lend Me a Tenor won two Tony Awards and was called “one of the classic comedies of the 20th century by The Washington Post. Crazy For You was on Broadway for five years and won the Tony and Olivier Awards for Best Musical.

In addition, Ludwig has won the Edgar Award for Best Mystery of the Year, two Laurence Olivier Awards, two Helen Hayes Awards, and the Edwin Forrest Award for Contributions to the American Theater. His plays have starred Alec Baldwin, Carol Burnett, Tony Shaloub, Joan Collins, and Hal Holbrook, among others.

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Zoya Martin is thrilled to be making her Shakespeare & Company debut this summer. She is a recent MFA graduate from the FSU/Asolo Conservatory for Actor Training in Sarasota, Florida. Her Asolo Repertory Theatre credits include Margaret Leavitt in Silent Sky and Penelope in Looking for Ithaca. Other credits include Malvolia in Twelfth Night, Henrietta in The Learned Ladies, Abby in Belleville, and Harriet Smith in Emma: The Musical. She received her BFA from Azusa Pacific University. Zoya sends love and gratitude to her mentors, friends, family, and Brendan.

Lacey Jo Sloat is a Stage Manager originally from Rochester, NY. She is thrilled to join Shakespeare & Company this summer! Lacey’s other Shakespeare credits include Romeo and Juliet, Richard III, A Midsummer Night’s Dream (Shake on the Lake), and Macbeth (Drunk Shakespeare NYC). Her regional credits include In the Heights (Geva), Elf: The Musical and Once (Olney Theatre Center) as well as some new works including The Agitators, and The Other Josh Cohen (Geva Theatre Center) as well as Technical Difficulties (2022 New York Theatre Festival). Lacey’s film credits include award winning independent feature My Autopsy (PA), Fatal Influence: Like Follow Survive (AD), It’s All True (AD) and High School Lullaby (AD).