Shakespeare in the Courts

Program Dates

January 3 to 29, 2023
Arrival: Monday, January 2 Departure: Monday, January 30

Tuition Fees

$4,875 USD
Early payment discount: Pay the full tuition by October 15 and save $600.

“Shakespeare in the Courts is meant to boost the kids’ self-esteem, to improve their communications skills, to develop a spirit of community and cooperation.” – The Wall Street Journal

Since 2001, Shakespeare & Company Education artists have worked closely with juvenile court judges and the probation officers of Berkshire County to engage adolescent offenders and those in need of support and provide an alternative to traditional punitive measures. In conjunction with the Berkshire Juvenile Court System, adolescent offenders work with Shakespeare & Company artists and participate in classes, rehearsals, and performances of scenes from Shakespeare’s plays. During the six-week project, participants explore Shakespeare’s text and prepare their own performance pieces as part of the terms of their probation.
This innovative, effective and action-oriented program has garnered overwhelming local and national media attention. The program was nationally recognized and celebrated at a White House Ceremony, and honored as an outstanding community arts program with a Gold Star Award from the Massachusetts Cultural Council.
Shakespeare in the Courts is partially funded by Berkshire United Way and supported by a grant through the Massachusetts Cultural Council’s YouthReach Initiative. Shakespeare in the Courts is also partially funded by the Charles H. Hall Foundation, Bank of America, N.A., Trustee.

Sponsored By

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About the Tour

.01 Linklater Voice

The full progression of Kristin Linklater’s approach to voice training for actors is taught during the four weeks by Designated Linklater voice teachers. In addition to daily classes in Linklater, voice teachers regularly join in text classes and offer specialized classes to help participants integrate the voice work into their scenes.

.02 Movement

The movement progression includes Pure Movement (Swings), Alexander Technique, physical expressivity, and dance. Participants will be guided through exercises to promote awareness of (and release from) habitual body tension, sensitivity to impulse, dynamic physical presence and stamina, delight in moving with passion and precision, and ensemble.

.03 Text Work

Basics introduces the actor to a text approach which demands an open and personal commitment to thought, word, and gesture. Basics evolves into scene work, first through Dropping In (an approach to experiencing the text on a word-by-word basis) and into text analysis and detailed scene work. Classes in Sonnet and Structure of the Verse round out the text progression, allowing actors to merge their personal connection with the form of Shakespeare’s language.

.04 Actor/Audience Relationship

The participant is invited to explore the Elizabethan world of Actor/Audience Relationship—a theatrical reality without a fourth wall, in which the immediate energy of the audience fuels the actor to reveal a deeper level of truth and experience, which in turns enkindles the audience’s ability to receive Shakespeare’s language.

.05 Clown & Stage Fight

The participant is invited to explore the Elizabethan world of Actor/Audience Relationship—a theatrical reality without a fourth wall, in which the immediate energy of the audience fuels the actor to reveal a deeper level of truth and experience, which in turns enkindles the audience’s ability to receive Shakespeare’s language.

Tuition

Full course tuition is

$4,875 USD

A limited number of scholarships are available for People of the Global Majority/BIPOC artists from the Dennis Krausnick Fellowship Fund. Application and audition video due by October 15. Contact us for more information.

You will learn:

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