Charls Sedgwick Hall

Faculty

Charls Sedgwick Hall (Actor, Movement Teacher, Director) ) Charls’s acting credits include performances in Love’s Labour’s Lost, Mother Courage and Her Children, The Complete Works of William Shakespeare (Abridged, Revised), Romeo and Juliet, A Comedy of Errors, A Midsummer Night’s Dream with Shakespeare & Company; The Color Purple (The Musical) Los Angeles Ovations Award winning production, The Next Fairytale, The Escape Artist’s Children, and Follow with Celebration Theatre; Hamlet, Twelfth Night, Much Ado About Nothing with Southern California Shakespeare Festival; Uncle Vanya, As You Like It, The Vigil with RAAP Theater Company; A Christmas Carol, The Little Foxes, Cymbeline, Cyrano, with A Noise Within; Angels of Lemnos, David and Goliath in America, Hitler’s Head, The Lady’s Not For Burning with The Road Theatre Company; Tartuffe and Arms and The Man with The Classical Theatre Company; Twelfth Night and Saint Joan with The Royston Theater Company; as well as productions of Faith and The Good Thing, Our Country’s Good, Three Sisters, Death Unit, Measure For Measure, The Merry Wives of Windsor, The Firebugs. The Tempest, The Taming of the Shrew and Exit The King. Directing credits include Other World Lover and Afrocentricities with MPAACT, OUTStories and The Red Train Café with Celebration Theatre. During his many years of performing and studying with Shakespeare & Company, Charls toured with the School’s Program and trained as a Movement teacher in the discipline of Trish Arnold. He has taught as a Guest Professor in Movement at the National Institute of Performing Arts in Sydney, Australia; a Guest Professor in Movement and a Guest Artist performing in Angels of Lemnos at Queensland University of Technology in Brisbane, Australia, and held the position of Director of Training/Movement Instructor with Two Pence Theatre Company. Charls, a proud member of Actors’ Equity Association, holds an MFA from the NYU-School of the Performing Arts Graduate Acting Program, teaches and continues to study other Movement disciplines, as well as Shakespeare’s Text, Rhetoric and Sonnets.

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